Johnny Mathis Killing Me Softly With Her Song When Will I See You Again
| When Will I Come across You Again | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Johnny Mathis | ||||
| Released | March 1975[1] | |||
| Recorded | January 13, 1975 January 20, 1975 Jan 23, 1975[1] | |||
| Genre |
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| Length | 33:42 | |||
| Label | Columbia | |||
| Producer | John Florez[3] | |||
| Johnny Mathis chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| Billboard | positive[4] |
When Will I See You Over again is an album by American pop vocalizer Johnny Mathis that was released in March 1975[1] past Columbia Records and was again predominantly composed of covers of recent hitting songs by other artists.
The album made its offset appearance on Billboard magazine'south Elevation LP's & Tapes chart in the issue dated Apr 19, 1975, and remained there for 13 weeks, peaking at number 99.[5] It entered the UK album nautical chart on July 26, 1975, and reached number 13 during its 10 weeks there.[six] On September 1, 1975, the British Phonographic Industry awarded the album with Silver certification for sales of 60,000 units.[vii]
Reception [edit]
Joe Viglione of AllMusic, writing retrospectively, warns, "If the casual fan thinks the album is full of Philly sound knockoffs, approximate again. Producer John Florez and arranger/conductor D'Arneill Pershing marshal the stars perfectly for Mathis."[two] He enjoyed a variety of songs on this release, especially the title track, which he describes as "reinvented -- one vox leading the accuse with backing vocals chiming in at the correct fourth dimension. Where the Three Degrees punched it for all it was worth every bit a team effort, Johnny Mathis reads the sentiment over a light disco shell with that soul sound that Gamble & Huff manufactured kept to a minimum. The Platters' 'Just Y'all' may seem like a quantum leap away from the '70s compositions that predominate this collection, but the arrangement borders on jazz/pop and fits nicely aslope the other pretty moments hither."[2] He likewise highlights his favorites from side ii. "The medley of Paul Williams/Roger Nichols tunes, 'I Won't Concluding a Day Without You lot'/'Let Me Exist the One', which leads off side ii, is every bit immaculate equally the closing number, 'The Things I Might Have Been', making for another very practiced no-bumps-in-the-road Johnny Mathis release."[2]
Track list [edit]
Side i [edit]
- "Mandy" (Scott English, Richard Kerr) – 3:31
- "Nice to Be Around" (John Williams, Paul Williams) – 3:52
- "You're Equally Right As Pelting" (Thom Bong, Linda Creed) – iii:02
- "When Volition I See Y'all Again" (Kenny Hazard, Leon Huff) – 2:35
- "Simply Y'all (And Yous Alone)" (Cadet Ram) – ii:fifty
Side 2 [edit]
- Medley – iv:06
a. "Let Me Be the One" (Roger Nichols, Paul Williams)
b. "I Won't Last a Day Without You" (Nichols, Paul Williams) - "The Style We Were" from The Manner We Were (Alan Bergman, Marilyn Bergman, Marvin Hamlisch) – 3:49
- "Laughter in the Rain" (Neil Sedaka, Phil Cody) – 2:31
- "You and Me Against the Globe" (Kenny Ascher, Paul Williams) – iii:59
- "The Things I Might Have Been" (Richard M. Sherman, Robert B. Sherman) – 3:27
Recording dates [edit]
From the liner notes for The Vocalization of Romance: The Columbia Original Anthology Collection:[1]
- January 13, 1975 – "Laughter in the Rain", "Just You (And You Alone)", "The Way We Were", "You and Me Against the World"
- January xx, 1975 – "Mandy", "The Things I Might Have Been", "When Volition I Run into Yous Once again"
- Jan 23, 1975 – "Let Me Be the I/I Won't Last a Twenty-four hour period Without You", "Nice to Be Effectually", "You're As Correct As Pelting"
Song data [edit]
The most successful incarnation of "Mandy" was by Barry Manilow, who spent a week at number one with the song on the Billboard Hot 100[8] and two weeks in the top spot on the magazine's Easy Listening nautical chart[9] in addition to reaching number 11 in the Uk[ten] and receiving Aureate certification from the Recording Industry Association of America.[11] "Nice to Exist Around" originated in the 1973 film Cinderella Liberty as "You're So Nice to Exist Around"[12] and likewise "bubbled nether" the Hot 100 to number 101 as a recording by Maureen McGovern[13] that also got equally high every bit number 28 Easy Listening.[14] "You're As Correct Equally Pelting" first appeared on the 1972 Stylistics album Round 2.[xv]
"When Will I See Yous Once again" past The Three Degrees enjoyed ii weeks at number one on the UK singles chart[xvi] and a calendar week in that position on Billboard's Easy Listening chart,[17] peaked at number ii pop[eighteen] and number 4 R&B,[19] and received Platinum certification from the RIAA.[20] The Platters had the biggest hit version of "Only You lot (And You Alone)", which spent seven weeks at number one R&B[21] and made information technology to number five on the Billboard Hot 100.[22] "Permit Me Exist the One" first appeared on the cocky-titled 1971 anthology by The Carpenters,[23] and the blood brother-and-sister duo also had the most pop recording of "I Won't Last a Solar day Without You", which had a calendar week at number one on the Easy Listening chart[24] and got as loftier as number eleven popular[25] and number ix UK.[26]
"The Mode We Were" earned songwriters Alan Bergman, Marilyn Bergman, and Marvin Hamlisch the Grammy Award for Song of the Year[27] and the University Award for Best Original Song.[28] Barbra Streisand'due south recording of the song went Gold,[29] spent 3 weeks at number one on the Billboard Hot 100[thirty] and two weeks in the Easy Listening height spot,[31] and peaked at number 31 UK.[32] Neil Sedaka's "Laughter in the Rain" also spent two weeks at number ane Easy Listening[33] in addition to enjoying a week in that position on the pop chart[34] and peaking at number 15 in the United kingdom.[35] Some other number ane Easy Listening hit that Mathis covers here, "You and Me Against the Earth" by Helen Reddy,[36] also made information technology to number nine on the Hot 100.[37] And by the time this anthology was released, "The Things I Might Accept Been" had been recorded as a solo by Kitty Wells,[38] Willie Nelson,[39] and Roy Clark[40] and as a duet by Kris Kristofferson and Rita Coolidge.[41]
Personnel [edit]
From the liner notes of the original album:[iii]
- Johnny Mathis – vocals
- John Florez – producer
- D'Arneill Pershing - arranger, conductor
- Grover Helsley – engineer
- Emerson-Loew – photography
- Ron Coro – design
- Nancy Donald – blueprint
References [edit]
- ^ a b c d (2017) The Voice of Romance: The Columbia Original Album Drove by Johnny Mathis [CD booklet]. New York: Sony Music Entertainment 88985 36892 ii.
- ^ a b c d east "When Volition I Encounter You lot Once again - Johnny Mathis". allmusic.com. Rovi Corporation. Retrieved 10 May 2013.
- ^ a b (1975) When Will I See You Again by Johnny Mathis [album jacket]. New York: Columbia Records PC 33420.
- ^ "Peak Album Picks". Billboard. 1975-04-05. p. 52.
- ^ Whitburn 2010, p. 504.
- ^ "Johnny Mathis - Albums". Official Charts Company. Retrieved 10 May 2013.
- ^ "BPI Certified Awards". British Phonographic Manufacture. Retrieved 24 July 2017. Type Johnny Mathis in the Keywords box and select Artist in the Search past box and click Search.
- ^ Whitburn 2009, p. 612.
- ^ Whitburn 2007, p. 172.
- ^ "Barry Manilow". Official Charts Visitor. Retrieved 11 May 2013.
- ^ "Gilt & Platinum". riaa.com. Retrieved 1 January 2017. Type Barry Manilow in the Search box and press Enter.
- ^ "Cinderella Freedom (1973) - Soundtracks - IMDb". imdb.com. Amazon.com. Retrieved eleven May 2013.
- ^ Whitburn 2009, p. 640.
- ^ Whitburn 2007, p. 184.
- ^ (1972) Round 2 by The Stylistics [album jacket]. New York: Avco Records AV 11006-598.
- ^ "Three Degrees". Official Charts Company. Retrieved 11 May 2013.
- ^ Whitburn 2007, p. 276.
- ^ Whitburn 2009, p. 977.
- ^ Whitburn 2004, p. 578.
- ^ "Gold & Platinum". riaa.com. Retrieved 1 January 2017. Blazon Three Degrees in the Search box and press Enter.
- ^ Whitburn 2004, p. 463.
- ^ Whitburn 2009, p. 764.
- ^ (1971) Carpenters by The Carpenters [album jacket]. Hollywood: A&M Records SP 3502.
- ^ Whitburn 2007, p. 44.
- ^ Whitburn 2009, p. 162.
- ^ "Carpenters". Official Charts Company. Retrieved eleven May 2013.
- ^ O'Neil 1999, p. 222.
- ^ Wiley & Bona 1996, p. 1113.
- ^ "Gold & Platinum". riaa.com. Retrieved 1 January 2017. Type Barbra Streisand in the Search box and press Enter.
- ^ Whitburn 2009, p. 943.
- ^ Whitburn 2007, p. 266.
- ^ "Barbra Streisand". Official Charts Company. Retrieved 19 May 2013.
- ^ Whitburn 2007, p. 245.
- ^ Whitburn 2009, p. 867.
- ^ "Neil Sedaka". Official Charts Company. Retrieved 19 May 2013.
- ^ Whitburn 2007, p. 226.
- ^ Whitburn 2009, p. 805.
- ^ (1956) State Hitting Parade by Kitty Wells [anthology jacket]. New York: Decca Records DL 8293.
- ^ (1963) Here's Willie Nelson by Willie Nelson [album jacket]. Hollywood: Liberty Records LRP 3308.
- ^ (1963) Roy Clark Sings The Tip of My Fingers by Roy Clark [album jacket]. Hollywood: Capitol Records ST 1972.
- ^ (1974) Breakaway by Kris Kristofferson and Rita Coolidge [anthology jacket]. Nashville: Monument Records PZ 33278.
Bibliography [edit]
- O'Neil, Thomas (1999), The Grammys , Perigree Books, ISBN0399524770
- Whitburn, Joel (2004), Joel Whitburn Presents Top R&B/Hip-Hop Singles, 1942-2004, Record Inquiry Inc., ISBN0-89820-160-eight
- Whitburn, Joel (2007), Joel Whitburn Presents Billboard Top Adult Songs, 1961-2006, Record Research Inc., ISBN0898201691
- Whitburn, Joel (2009), Joel Whitburn's Top Popular Singles, 1955-2008, Record Research Inc., ISBN0-89820-180-ii
- Whitburn, Joel (2010), Joel Whitburn Presents Elevation Popular Albums, Seventh Edition, Record Research Inc., ISBN0-89820-183-7
- Wiley, Mason; Bona, Damien (1996), Inside Oscar: The Unofficial History of the Academy Awards, Ballantine Books, ISBN0345400534
Source: https://en.wikipedia.org/wiki/When_Will_I_See_You_Again_%28Johnny_Mathis_album%29
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